She began her concert with Gluck’s “Dance of the Blessed Spirits” from his Orfeo ed Euridice, a timeless tale of love and loss. Under a single hazy beam of light from above, she appeared mysterious and remote. Listening to her performance in rapture, no one among the audience in the darkened hall could have guessed that this time, through her playing, Emilia Livingstone was telling her own…
